{"title":"Golden Age Project","description":null,"products":[{"product_id":"golden-age-project-comp3a-1-channel-vintage-style-solid-state-electro-optical-co","title":"Golden Age Project COMP3A 1-channel Vintage Style Solid-state Electro-optical Compressor","description":"\u003cp\u003eONE CHANNEL VINTAGE STYLE OPTICAL COMPRESSOR\n\nThe COMP-3A is a one channel vintage style Compressor \/ Leveler. The signal path uses only discrete components like resistors, capacitors and transistors. The input and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available. Integrated circuits are small and cheap and widely used in most modern designs. The drawback is that audio components built with modern technology doesn´t always provide the best perceived sound quality or the type of character that the modern user desires. \n\nThe subjective sound quality delivered by vintage equipment is often preferred over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment. This is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market.\n\nThe circuit used in the COMP-3A is based on a classic design that uses an electro-luminescent panel and a photoelectric cell to control gain. This gives the COMP-3A a unique, program dependent compression characteristics. In addition, the vintage style signal path adds a wonderful and musical character to the sound. The ease of use with only two main controls makes it very simple to achieve the desired sound. These attributes has made the original units a favorite of engineers and musicians worldwide. This classic sound is now available at a very affordable price point with the COMP-3A.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVintage style electronics. No integrated circuits in the signal path.\u003c\/li\u003e\n\u003cli\u003eTransformer balanced input and output. Can drive almost any load - balanced or unbalanced.\u003c\/li\u003e\n\u003cli\u003eSelectable output transformer loading resistors by an internal jumper, will affect the high end frequency response.\u003c\/li\u003e\n\u003cli\u003eUses a classic T4-style electro-optical attenuator to control gain with program dependent attack and release times.\u003c\/li\u003e\n\u003cli\u003eVery simple to operate with only two main controls, Gain and Peak Reduction.\u003c\/li\u003e\n\u003cli\u003eHF control can make the side-chain circuit more sensitive to mid and high frequency content.\u003c\/li\u003e\n\u003cli\u003eA big meter selectable to show gain reduction or output level at two different reference levels.\u003c\/li\u003e\n\u003cli\u003eXLR and TRS input and output jacks for flexible connections.\u003c\/li\u003e\n\u003cli\u003eLink jack and switch for connecting to another unit for stereo operation.\u003c\/li\u003e\n\u003cli\u003eAll external controls located on the front panel.\u003c\/li\u003e\n\u003cli\u003eExternal power supply to avoid interaction with the audio circuits and transformers.\u003c\/li\u003e\n\u003cli\u003eCompact 2RU half rack format. Two units can be mounted with our 19-inch rack kit, the UNITE BIG.\u003c\/li\u003e\n\u003cli\u003eHardwire bypass switch for easy comparisons\u003c\/li\u003e\n\u003cli\u003eA solid build quality that will last many years of normal use.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605882712217,"sku":"COMP3A","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/COMP3A.jpg?v=1785844476"},{"product_id":"golden-age-project-comp3ajunior-1-channel-vintage-style-solid-state-electro-opti","title":"Golden Age Project COMP3AJUNIOR 1-channel Vintage Style Solid-state Electro-optical Compressor","description":"\u003cp\u003eONE CHANNEL VINTAGE STYLE COMPRESSOR \/ LEVELER\n\nThe COMP-3A Jr is a one channel vintage style Compressor \/ Leveler. The signal path uses only discrete components like resistors, capacitors, diodes and transistors. The input and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available.\n\nIntegrated circuits are small and cheap and widely used in most modern designs. The drawback is that audio components built with modern technology doesn´t always provide the best perceived sound quality or the type of character that the modern user desires.\n\nThe subjective sound quality delivered by vintage equipment is often preferred over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment.\nThis is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market.\n\nThe circuit used in the COMP-3A Jr is based on classic design elements and it uses an integrated optocoupler to control gain. This gives the COMP-3A Jr a unique compression characteristics. In addition, the vintage style signal path adds a wonderful and musical character to the sound. The ease of use with only two main controls makes it very simple to achieve the desired sound. These attributes has made vintage products with a similar design favorites of engineers and musicians worldwide.\n\nA classic sound and compression style is now available at a very affordable price point with the COMP-3A Jr.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVintage style electronics. No integrated circuits in the main audio signal path.\u003c\/li\u003e\n\u003cli\u003eTransformer balanced input and output. Can drive almost any load, balanced or unbalanced. The maximum output level is 25 dBu.\u003c\/li\u003e\n\u003cli\u003eUses an integrated optocoupler to control gain. The fastest attack time is about 1 ms.\u003c\/li\u003e\n\u003cli\u003eVery simple to operate with only two main controls, Gain Makeup and Gain Reduction.\u003c\/li\u003e\n\u003cli\u003eThree-position TIME switch to select different combinations of Attack- and Release time.\u003c\/li\u003e\n\u003cli\u003eSelectable jumpers inside the unit to increase the timing on TIME-switch position B and C.\u003c\/li\u003e\n\u003cli\u003eLED-meter selectable to show output level or gain reduction.\u003c\/li\u003e\n\u003cli\u003eHardwire bypass switch for easy comparisons.\u003c\/li\u003e\n\u003cli\u003eXLR and TRS input and output jacks for flexible connections.\u003c\/li\u003e\n\u003cli\u003eLink jack for connecting to another unit for stereo operation.\u003c\/li\u003e\n\u003cli\u003eAll external controls located on the front panel.\u003c\/li\u003e\n\u003cli\u003eExternal power supply to avoid interaction with the audio circuits and transformers.\u003c\/li\u003e\n\u003cli\u003eCompact 1RU quarter rack format. Up to four units can be mounted in our 19-inch rack kit, the UNITE MKII.\u003c\/li\u003e\n\u003cli\u003eA solid build quality that will last many years of normal use.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605887135897,"sku":"COMP3AJUNIOR","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/COMP3AJUNIOR.jpg?v=1785844479"},{"product_id":"golden-age-project-comp54-mk3-single-channel-vintage-style-compressor","title":"Golden Age Project COMP54-MK3 Single Channel Vintage Style Compressor","description":"\u003cp\u003eThe COMP-54 is a one-channel vintage style Compressor. The signal path uses only discrete components like resistors, capacitors and transistors. The line input and output are transformer balanced and the unit also has a third interstage transformer.\n\nThis is the way audio components were built before integrated circuits became available. IC´s are small and cheap and they are widely used in most modern designs. It is clear though that audio components built with modern technology doesn´t always provide the best perceived sound quality or character that the modern user desires. On the contrary, the subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units. This is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market.\n\nThe class-A circuit used in the COMP-54 is similar to the one in the classic 2254 compressor that was designed in 1969. It quickly became a legend due to it´s totally unique sound character that is warm, smooth, sweet and musical. These characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\n\nThe COMP-54 uses a diode bridge as the gain control element, a method that is revered for its smooth way of operation. Some of the most sought after vintage compressor designs, like the 2254, 2264, 33609, Siemens™ and EMI™ used the same basic design.\n\nThe controls in the COMP-54 are very flexible covering broad ranges of Ratio, Attack and Release times, including two Auto positions. All controls except the Gain make-up one are stepped for easy resetting and stereo matching.\nThere are three selectable sidechain high pass filter frequencies available to handle special situations.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVintage style electronics.\u003c\/li\u003e\n\u003cli\u003eBased on classic diode bridge designs.\u003c\/li\u003e\n\u003cli\u003eTransformer balanced I\/O´s.\u003c\/li\u003e\n\u003cli\u003ePrepared for transformer upgrade.\u003c\/li\u003e\n\u003cli\u003eFlexible control range for Ratio, Attack and Release.\u003c\/li\u003e\n\u003cli\u003eAll controls except the Gain make\u003c\/li\u003e\n\u003cli\u003eup one are stepped.\u003c\/li\u003e\n\u003cli\u003eThree selectable Sidechain filter frequencies.\u003c\/li\u003e\n\u003cli\u003eSeparate Bypass and Compression IN\/OUT switches.\u003c\/li\u003e\n\u003cli\u003eMeter selectable for Output and Gain Reduction.\u003c\/li\u003e\n\u003cli\u003ePossibility to Link two units for stereo operation.\u003c\/li\u003e\n\u003cli\u003eSeparate in and output XLR and TRS jacks for flexible connections.\u003c\/li\u003e\n\u003cli\u003eBack panel switch for 600 Ohm termination.\u003c\/li\u003e\n\u003cli\u003eExternal power power supply to avoid interaction with the audio circuitry and the transformers.\u003c\/li\u003e\n\u003cli\u003eGreat sound that suits most sound sources and genres.\u003c\/li\u003e\n\u003cli\u003eA solid build quality that will last many years of normal use.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605887168665,"sku":"COMP54-MK3","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/COMP54-MK3.jpg?v=1785844481"},{"product_id":"golden-age-project-comp554mk2-500-series-2254-vintage-style-compressor","title":"Golden Age Project COMP554MK2 500-Series 2254 Vintage Style Compressor","description":"\u003cp\u003eThe COMP-554 is a one-channel vintage style compressor for the 500-format. The signal path uses only discrete components like resistors, capacitors and transistors. The input and output are transformer balanced and the unit also uses a third interstage transformer.\n\nThis is the way audio components were built before integrated circuits became available. IC’s are small and cheap and they are widely used in most modern designs. It is clear though that audio components built with modern technology doesn’t always provide the best perceived sound quality or character that the modern user desires.\n\nOn the contrary, the subjective sound quality delivered by vintage equipment is often preferred over the one delivered by modern units. This is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market.\n\nThe class-A circuit used in the COMP-554 is similar to the one in the classic 2254 compressor that was designed in 1969. It quickly became a legend due to it’s totally unique sound character that is warm, smooth, sweet and musical.\n\nThese characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on many sound sources and in many genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVintage style electronics. No integrated circuits in the signal path.\u003c\/li\u003e\n\u003cli\u003eBased on a classic diode bridge design.\u003c\/li\u003e\n\u003cli\u003eTransformer balanced input and output.\u003c\/li\u003e\n\u003cli\u003ePrepared for a Carnhill transformer upgrade (standard in the Plus version).\u003c\/li\u003e\n\u003cli\u003eFlexible control range for threshold, ratio, attack and recovery.\u003c\/li\u003e\n\u003cli\u003eAll controls except the gain make-up one are stepped.\u003c\/li\u003e\n\u003cli\u003eThree selectable sidechain fi lter frequencies.\u003c\/li\u003e\n\u003cli\u003eThree fl exibel sidechain options; Internal, Insert and External.\u003c\/li\u003e\n\u003cli\u003eThe external sidechain I\/O is electronically balanced @ 4dBu and appears on the right slot rack connections.\u003c\/li\u003e\n\u003cli\u003eSeparate switches for hardwire bypass and compression out.\u003c\/li\u003e\n\u003cli\u003eTwo insert connectors for inserting the EQ-573 in the main audio and\/or sidechain signal path.\u003c\/li\u003e\n\u003cli\u003eMeter selectable for output (two reference levels, +4 and +12 dBu) and gain reduction.\u003c\/li\u003e\n\u003cli\u003ePossibility to link two units for stereo operation.\u003c\/li\u003e\n\u003cli\u003eThree position Air EQ switch, Flat, +3 or +6 dB @ 30 kHz.\u003c\/li\u003e\n\u003cli\u003eTwo position output termination switch for different tones.\u003c\/li\u003e\n\u003cli\u003eA soft start circuit that ramps up the supply voltage slowly (about 10 sec.) to avoid a power-on current surge.\u003c\/li\u003e\n\u003cli\u003eA great sound that suits most sound sources and genres.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605887201433,"sku":"COMP554MK2","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/COMP554MK2.jpg?v=1785844481"},{"product_id":"golden-age-project-d2-mkii-large-diaphragm-dynamic-microphone","title":"Golden Age Project D2-MKII Large-Diaphragm Dynamic Microphone","description":"\u003cp\u003eThe D2 MKII is a high quality dynamic microphone with a full bodied sound and an excellent transient response. It has a consistent cardioid polar pattern for a low off -axis coloration and a good rejection of unwanted sounds.\n\nThe D2 MK II is a high quality dynamic microphone with a fullbodied sound and an excellent transient response. It has a consistent cardioid polar pattern for a low off-axis coloration and a good rejection of unwanted sounds.\n\nThe D2 MKII has a flat response with a mild lift in the upper midrange. It will exhibit a bass boost in the 75-300 Hz area at short distances due to the proximity effect which can help make voices and instruments sound fuller.\n\nThe three switches allows the user to adjust the frequency response. There are two switches for selecting two different bass rolloff filters and one switch for lowering the response in a broad range centered around 5 kHz.\n\nEquipped with an internal windscreen, an external pop filter will usually not be needed. The 5\/8’ thread adator in the stand adaptor matches different stand gauges.\n\nThe D2 MK II is a versatile microphone that will perform very well in many applications, in the studio, on stage and in broadcast applications, for speech\/vocals and instruments like kick-drum and electric bass.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh output dynamic cartridge for a big and powerful sound.\u003c\/li\u003e\n\u003cli\u003eA clear, distinct and full bodied sound with a mild lift in the upper midrange and an increasing bass boost at closer distances.\u003c\/li\u003e\n\u003cli\u003eCardioid polar pattern that reduces feedback in live use.\u003c\/li\u003e\n\u003cli\u003eThree switches for tailoring the sound.\u003c\/li\u003e\n\u003cli\u003eRugged metal body\u003c\/li\u003e\n\u003cli\u003eCartridge type: Dynamic\u003c\/li\u003e\n\u003cli\u003ePolar pattern: Cardioid\u003c\/li\u003e\n\u003cli\u003eFrequency response: 50Hz – 20kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity:-52dB (0dB=1V\/Pa@1kHz)\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 250 ohm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605887234201,"sku":"D2-MKII","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/D2-MKII.jpg?v=1785844483"},{"product_id":"golden-age-project-eq73mk2-1-channel-3-band-eq-with-half-rack-chassis-class-a-si","title":"Golden Age Project EQ73MK2 1-channel 3-band EQ with Half-rack Chassis, Class A Signal Path, and Stepped Controls","description":"\u003cp\u003eThe class-A circuit used in the EQ-73 MKII is similar to the eq section in the classical 1073 module, without the high pass filter. Additional frequencies have been added and the mid frequency band uses two inductors, the higher value of the second one is used for the two lowest frequencies, 160 Hz and 240 Hz, to achieve a suitable response.\n\nThe sound character is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\n\nThe EQ-73 MKII has stepped frequency controls that offers a wide selection of frequencies from 20 Hz to 24 kHz.\n\nThe Low and High frequency bands are shelving and the mid frequency band is of the bell type.\n\nThe control range is +\/-15 dB for the two lower bands and +\/- 18dB for the high frequency band.\n\nThere are separate bypass switches for all three bands.\n\nThe EQ-73 MKII has IC-based balanced connections for self contained operation. It can also be used together with one of our PRE-73 models that has an Insert or with other units that has a low level insert jack.\n\nCombining a PRE-73 and an EQ-73, and using a UNITE rack kit to mount them together, one will get a 19-inch 1073-style unit at a low cost and with a great sound!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVintage Style electronics. No integrated circuits in the main signal path\u003c\/li\u003e\n\u003cli\u003e3-band with a dual inductor based mid frequency band\u003c\/li\u003e\n\u003cli\u003eStepped frequency selection\u003c\/li\u003e\n\u003cli\u003eA wide selection of frequencies from 20 Hz to 24 kHz\u003c\/li\u003e\n\u003cli\u003eControl range up to +\/- 18 dB\u003c\/li\u003e\n\u003cli\u003eSeparate bypass switches for each band\u003c\/li\u003e\n\u003cli\u003eTantalum capacitors in the main signal path\u003c\/li\u003e\n\u003cli\u003eCan be used together with one of our preamp´s with an insert jack or as a standalone unit\u003c\/li\u003e\n\u003cli\u003eTRS jack for the INSERT mode in- and output connection, the nominal working level is around -18 dBu\u003c\/li\u003e\n\u003cli\u003eIC-based in- and output stage for the LINE IN mode with balanced TRS and XLR connectors\u003c\/li\u003e\n\u003cli\u003eSelectable ground lift jumper\u003c\/li\u003e\n\u003cli\u003eExternal power supply to avoid interaction with the audio circuits\u003c\/li\u003e\n\u003cli\u003eGreat sound that suits most sound sources and genres\u003c\/li\u003e\n\u003cli\u003eA solid build quality that will last many years of normal use\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605891657881,"sku":"EQ73MK2","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/EQ73MK2.jpg?v=1785844486"},{"product_id":"golden-age-project-eq81mk3-vintage-style-4-band-equalizer-with-balanced-i-o","title":"Golden Age Project EQ81MK3 Vintage-Style 4-Band Equalizer with Balanced I\/O","description":"\u003cp\u003eThe EQ-81 MKIII from the Golden Age Project is everything you'd want from a vintage-sounding equalizer, and at a budget-friendly price. GAP based this 4-band EQ off of the classic 1081 module, starting with a comparable class-AB equalizer circuit, but without the lowpass and highpass filters. The MKIII employs some serious, no-nonsense vintage-style electronics, free from integrated circuits in its signal path when the insert connector is in use. You can get creative and combine the MKIII with GAP's separate Pre-73 preamp to replicate a full vintage 1081-style unit for a fraction of the cost. Additionally, the upgraded knobs and balanced connections set the EQ-81 MKIII apart from the MKII, creating a reliable, self-contained operation no matter what you choose to mix.What's new with the EQ-81 MKIII?\nYou'll find a number of updates with the MKIII, including exterior features like the new level control knobs with more defined grip. Some of the internal improvements include added small coupling caps in parallel with all electrolytic caps in the IC based section and in\/out section, and balanced connections that provide for self-contained operation. Additionally, a 230-volt power adapter offers an external power supply to avoid interaction with the audio circuits.\n\nWide frequency range and switchable shelving\nThe new EQ-81 MKIII comes equipped with stepped frequency controls, providing a wide range of frequency selection between 33Hz and 15kHz. The MKIII is also incredibly versatile, making customizing your EQ preferences between bands a breeze with the switchable shelving and bell settings for Bass and Treble, as well as bell-type low and high MID frequency bands that each include switchable Hi Q settings. Your control range is +\/-18dB, and the MKIII also provides an off mode for all four bands, allowing for maximum EQ customization of your tracks.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVintage-style electronics free from integrated circuits in signal path (when the insert connector is used); tantalum capacitors in EQ signal path\u003c\/li\u003e\n\u003cli\u003eVersatile 4-band EQ with inductor-based mid-frequency bands\u003c\/li\u003e\n\u003cli\u003eStepped frequency selection with very wide range (33Hz–15kHz)\u003c\/li\u003e\n\u003cli\u003eControl range of +\/-18dB, with an off mode for each band\u003c\/li\u003e\n\u003cli\u003eUseful as a standalone equalizer, or when paired with GAP preamp via the insert jack\u003c\/li\u003e\n\u003cli\u003eTRS jack for INSERT mode in-and output connection (nominal working level is -18dB)\u003c\/li\u003e\n\u003cli\u003eIC-based in and output stage for the Line In mode with balanced TRS and XLR connectors\u003c\/li\u003e\n\u003cli\u003eSelectable ground lift jumper to disconnect audio signal from chassis ground\u003c\/li\u003e\n\u003cli\u003eIncludes an external 230V power supply to avoid interaction audio circuits\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605891690649,"sku":"EQ81MK3","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/EQ81MK3.jpg?v=1785844486"},{"product_id":"golden-age-project-fc1mk2-large-diaphragm-condenser-microphone","title":"Golden Age Project FC1MK2 Large-diaphragm Condenser Microphone","description":"\u003cp\u003eThe FC 1 MKII is a high quality large capsule condenser microphone, inspired by classical microphone models. It is is very a versatile microphone with a wide frequency response and a large dynamic range. It will perform great in the studio or in live sound and broadcast applications.\n\nThe FC 1 has a center-terminated capsule with a sweet top end and can handle loud sounds without harshness or other problems.\nThe output transformer handles bass well and adds that extra fat sound that only transformers can deliver. The retro EQ in the FC 1 MKII is set to deliver maximum sound quality with as many sound sources as possible.\n\nThe sound character of the FC 1 MKII is similar to vintage microphones and it is well suited to be used with most instruments and voices. It works very well on vocals and choirs, acoustic and electric guitars and other fretted instruments, as a drum overhead or room mic and in any other application where you would use a big capsule condenser mic.\n\nThe FC 1 MKII comes with a spider style shock mount.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrue condenser mic with 26mm, 6um gold-sputtered low distortion capsule mounted on an effective internal shock mount.\u003c\/li\u003e\n\u003cli\u003eLow noise F.E.T as first amplifying device.\u003c\/li\u003e\n\u003cli\u003eDiscrete class A electronics with vintage style EQ and a transformer balanced output stage.\u003c\/li\u003e\n\u003cli\u003eCardioid polar pattern.\u003c\/li\u003e\n\u003cli\u003eInternal switch for a 100Hz high-pass filter.\u003c\/li\u003e\n\u003cli\u003eHeavy duty brass body.\u003c\/li\u003e\n\u003cli\u003eShock mount included.\u003c\/li\u003e\n\u003cli\u003eGoldplated XLR connector.\u003c\/li\u003e\n\u003cli\u003eRequires 48V phantom power.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605891723417,"sku":"FC1MK2","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/FC1MK2.jpg?v=1785844487"},{"product_id":"golden-age-project-fc3-large-diaphragm-fet-condenser-microphone","title":"Golden Age Project FC3 Large-diaphragm FET Condenser Microphone","description":"\u003cp\u003eCONDENSER MICROPHONE WITH THREE POLAR PATTERNS, PAS AND HIGHPASS-FILTER.\n\nThe FC 3 is a high quality dual capsule condenser microphone, inspired by classical microphone models. The FC 3 is a very versatile microphone with a wide frequency response and a large dynamic range. It will perform great in the studio or in live sound and broadcast applications. It´s sound character is similair to vintage microphones and it is well suited to be used with most instruments and voices. \n\nUse it on vocals and choirs, acoustic and electric guitars and other fretted instruments, as a drum overhead or room mic and in any other application where you would use a big capsule condenser mic. The FC 3 is, in spite of it´s low cost, suitable for critical recording applications.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrue condenser mic with 28mm, 3um gold-prutted low distortion dual capsule mounted on an effective internal shock mount.\u003c\/li\u003e\n\u003cli\u003eLow noise F.E.T as first amplifying device.\u003c\/li\u003e\n\u003cli\u003eDiscrete class A electronics with vintage style EQ and transformer balanced output stage\u003c\/li\u003e\n\u003cli\u003eThree polar patterns: Cardionid, Omni and Figure 8 gives you several ways to model the sound. The room pick-up, proximity effect and the tonal response changes with the different patterns.\u003c\/li\u003e\n\u003cli\u003eExternal switches for high-pass filter and pad.\u003c\/li\u003e\n\u003cli\u003eHeavy duty brass body. Shock mount included.\u003c\/li\u003e\n\u003cli\u003eGoldplated XLR. Reqires 48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605891756185,"sku":"FC3","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/FC3.jpg?v=1785844488"},{"product_id":"golden-age-project-fc4-small-diaphragm-condenser-microphone","title":"Golden Age Project FC4 Small-diaphragm Condenser Microphone","description":"\u003cp\u003eSMALL CAPSULE MICROPHONE WITH PAD AND HIGHPASS FILTER.\n\nThe FC 4 is a low cost, small capsule, true condenser microphone with transformerless discrete low noise class-A electronics. The 20 mm, 3 um gold-sputtered diaphragm has a cardioid shaped polar pattern and a great sensitivity. The characteristics of the FC 4 are ideal for many recording and live situations. It will catch the crispness of your favorite guitar, every detail of your acoustic piano, the complexity of a clean electric guitar, the raw power of distorted amps, etc.\n\nWe have equipped the FC 4 with high-pass filter and pad switches. This also makes it suitable for loud sounds and even vocal recording. Every musician and studio have use for a couple of FC 4´s. The small capsule cardioid condenser mic is one of the most basic mics for recording. The FC 4 is truly a great sounding and very versatile microphone at a very low price!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrue condenser mic with 20 mm, 3um gold- spurred low distorsion dual capsule mounted on an effective internal shock mount.\u003c\/li\u003e\n\u003cli\u003eLow noise F.E.T. as first amplifying device.\u003c\/li\u003e\n\u003cli\u003eDiscrete class A electronics and transformer- less balanced output stage.\u003c\/li\u003e\n\u003cli\u003eExternal switches for high-pass filter and pad. - Heavy duty brass body.\u003c\/li\u003e\n\u003cli\u003eShock mount included.\u003c\/li\u003e\n\u003cli\u003eGoldplated XLR.\u003c\/li\u003e\n\u003cli\u003eRequires 48V phantom power.\u003c\/li\u003e\n\u003cli\u003eThe FC 4 MC: Three polar patterns: Cardioid, HyperCardioid and Omni gives you several ways to model the sound. The room pick-up, proximity effect and the tonal response changes with the different patterns.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605896179865,"sku":"FC4","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/FC4.jpg?v=1785844491"},{"product_id":"golden-age-project-fc4mc-small-diaphragm-condenser-microphone-with-interchangeab","title":"Golden Age Project FC4MC Small-diaphragm Condenser Microphone with Interchangeable Heads","description":"\u003cp\u003eSMALL CAPSULE MULTI PATTERN MICROPHONE WITH PAD AND HIGHPASS FILTER.\n\nThe FC 4 MC is a low cost, small multi-capsule, true condenser microphone with transformerless discrete low noise class-A electronics. The three interchangable heads with 20 mm gold-sputtered diaphragms have cardioid, hyper-cardioid and omni-directional shaped polar patterns.\n\nThe characteristics of the FC 4 MC are ideal for many recording and live situations. It will catch the crispness of your favorite guitar, every detail of your acoustic piano, the complexity of a clean electric guitar, the raw power of distorted amps, etc.\n\nWe have equipped the FC 4 MC with high-pass filter and pad switches. This also makes it suitable for loud sounds and even vocal recording.\n\nThe FC 4 MC is three mics in one! For a small extra cost you can get an even better guitar sound, clearer hi-hats, more or less room sound and different sound characters.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrue condenser mic with 20 mm, 3um gold- spurred low distortion dual capsule mounted on an effective internal shock mount.\u003c\/li\u003e\n\u003cli\u003eLow noise F.E.T. as first amplifying device.\u003c\/li\u003e\n\u003cli\u003eDiscrete class A electronics and transformer- less balanced output stage.\u003c\/li\u003e\n\u003cli\u003eExternal switches for high-pass filter and pad. - Heavy duty brass body.\u003c\/li\u003e\n\u003cli\u003eShock mount included.\u003c\/li\u003e\n\u003cli\u003eGold-plated XLR.\u003c\/li\u003e\n\u003cli\u003eRequires 48V phantom power.\u003c\/li\u003e\n\u003cli\u003eThe FC 4 MC: Three polar patterns: Cardioid, Hyper Cardioid and Omni gives you several ways to model the sound. The room pick-up, proximity effect and the tonal response changes with the different patterns.\u003c\/li\u003e\n\u003cli\u003eThe FC 4 ST: One matched stereo pair.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605896212633,"sku":"FC4MC","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/FC4MC.jpg?v=1785844493"},{"product_id":"golden-age-project-fc4st-small-capsule-condenser-microphone-matched-stereo-pair","title":"Golden Age Project FC4ST Small-Capsule Condenser Microphone (Matched Stereo Pair)","description":"\u003cp\u003eMATCHED PAIR SMALL CAPSULE CONDENSER MICROPHONE WITH PAD AND HIGHPASS FILTER\n\nThe FC 4 ST is a matched (within 1 dB) stereo pair of two FC 4 microphones. Specs below. \n\nThe FC 4 is a low cost, small capsule, true condenser microphone with transformerless discrete low noise class-A electronics. The 20 mm, 3 um gold-sputtered diaphragm has a cardioid shaped polar pattern and a great sensitivity.\n\nThe characteristics of the FC 4 are ideal for many recording and live situations. It will catch the crispness of your favorite guitar, every detail of your acoustic piano, the complexity of a clean electric guitar, the raw power of distorted amps, etc.\n\nWe have equipped the FC 4 with high-pass filter and pad switches. This also makes it suitable for loud sounds and even vocal recording.\n\nEvery musician and studio have use for a couple of FC 4´s. The small capsule cardioid condenser mic is one of the most basic mics for recording. The FC 4 is truly a great sounding and very versatile microphone at a very low price!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrue condenser mic with 20 mm, 3um gold- spurred low distorsion dual capsule mounted on an effective internal shock mount.\u003c\/li\u003e\n\u003cli\u003eLow noise F.E.T. as first amplifying device.\u003c\/li\u003e\n\u003cli\u003eDiscrete class A electronics and transformer- less balanced output stage.\u003c\/li\u003e\n\u003cli\u003eExternal switches for high-pass filter and pad.\u003c\/li\u003e\n\u003cli\u003eHeavy duty brass body.\u003c\/li\u003e\n\u003cli\u003eShock mount included.\u003c\/li\u003e\n\u003cli\u003eGoldplated XLR.\u003c\/li\u003e\n\u003cli\u003eRequires 48V phantom power.\u003c\/li\u003e\n\u003cli\u003eThe FC 4 MC: Three polar patterns: Cardioid, HyperCardioid and Omni gives you several ways to model the sound. The room pick-up, proximity effect and the tonal response changes with the different patterns.\u003c\/li\u003e\n\u003cli\u003eThe FC 4 ST: One matched stereo pair.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605896245401,"sku":"FC4ST","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/FC4ST.jpg?v=1785844492"},{"product_id":"golden-age-project-ga-sp1-shock-mount-with-metal-pop-filter","title":"Golden Age Project GA-SP1 Shock Mount With Metal Pop Filter","description":"\u003cp\u003eThe SP1 from Golden Age Project is an all-in-one shock mount and metal pop filter that's compatible with the company's FC1 MKII, FC2 (FC2 ST), or FC3 condenser microphones. The shock mount in the SP1 helps to isolate the mic from stand vibrations, and the pop filter reduces plosives (popped consonants such as \"p\" or \"b\"), which are picked up by the mic during vocal recording sessions or performances.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCombines a shock mount and a pop filter in one product\u003c\/li\u003e\n\u003cli\u003eCompatible with Golden Age Project's FC1 MKII, FC2, and FC3 microphones\u003c\/li\u003e\n\u003cli\u003eThe shock mount helps isolate vibrations that can get picked up by the microphone from the mic stand\u003c\/li\u003e\n\u003cli\u003eThe pop filter helps minimize plosives (popped consonants such as \"p\" or \"b\"), which a mic picks up during a vocal recording or performance\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605896278169,"sku":"GA-SP1","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/GA-SP1.jpg?v=1785844493"},{"product_id":"golden-age-project-ga8000-large-diaphragm-tube-condenser-microphone-black","title":"Golden Age Project GA8000 Large-diaphragm Tube Condenser Microphone, Black","description":"\u003cp\u003eThe GA-8000 microphone is a tube microphone equipped with a semiconductor active cooling system that results in a higher signal-to-noise ratio compared to most other tube microphones. It has a very high-quality performance and modern sound character.\n\nThe GA-8000 uses a ROGERS ceramic circuit board that has superior insulation parameters and offers a more stable performance. The coupling and bypass capacitors is of a very high quality, resulting in a deep and exact low frequency performance and a delicate and transparent high frequency reproduction.\n\nThe semiconductor active cooling and external cooling system is used in the GA-8000 ensures that the GA-8000 has the highest possible signal-to-noise ratio. The tube (a 6AU6) is mounted in an aluminum casing, with the semiconductor cooling chip being attached to the bottom of the case.\n\nThe temperature of the tube in the GA-8000 is the effectively kept down when the GA-8000 is in it´s working state, the heat generated by the tube is actively dissipated. The heat that the tube generates is transferred to the reverse side of the semiconductor and transferred to the effective outer aluminum alloy heat sink at the rear of the microphone. This heat sink will then dissipate the heat from semiconductor cooling chip to the air surrounding the GA-800G.\n\nPCB Board\nA ROGERS ceramic gold-plated circuit board is used. This type of circuit board is usually used in high-end aerospace communication products, the cost is about twenty (20!) times higher than an ordinary PCB board.\n\nCapsule\nA manufacturer with more than twenty years of microphone capsule production experience are producing a capsule that have a modern sound character. The capsule used in the GA-8000 can handle a high sound pressure level.\n\nTube\nIn order to ensure the tube will have a long life, we are using a NOS CIFTE 6AU6 tube from France, it has a maximum anode voltage rating of about 300V.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDesigned for the highest possible sound reproduction quality.\u003c\/li\u003e\n\u003cli\u003eSuitable for vocal recording in studios and film post production houses.\u003c\/li\u003e\n\u003cli\u003eA high sensitivity of -33dB\/Pa.\u003c\/li\u003e\n\u003cli\u003eLow noise and low distortion due to built-in cooling system.\u003c\/li\u003e\n\u003cli\u003eLarge diaphragm capsule.\u003c\/li\u003e\n\u003cli\u003eElectronically selectable directivity, Omni and Cardioid.\u003c\/li\u003e\n\u003cli\u003eMicrophone Type: Tube Condenser\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Cardioid, Omni\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 20Hz-20kHz\u003c\/li\u003e\n\u003cli\u003eMax SPL: 137dB (Cardioid), 140dB (Omni)\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 100 ohms\u003c\/li\u003e\n\u003cli\u003eSignal to Noise Ratio: 76dB\u003c\/li\u003e\n\u003cli\u003eSelf Noise: 18dB (A weighted)\u003c\/li\u003e\n\u003cli\u003eTube: 6AU6\u003c\/li\u003e\n\u003cli\u003eColor: Black\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605900701849,"sku":"GA8000","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/GA8000.jpg?v=1785844495"},{"product_id":"golden-age-project-p-1-nylon-mesh-pop-filter-with-gooseneck-and-clamp","title":"Golden Age Project P-1 Nylon Mesh Pop Filter with Gooseneck and Clamp","description":"\u003cp\u003eThe Golden Age Project P1 is a classic, circular nylon pop filter, designed for reducing plosive pops on vocal recordings. It comes with a goose neck and a stand clamp.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNylon mesh filter reduces plosive sounds on vocal recordings\u003c\/li\u003e\n\u003cli\u003eGoose neck and stand clamp for easy positioning\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605900734617,"sku":"P-1","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/P-1.jpg?v=1785844497"},{"product_id":"golden-age-project-p-2-metal-pop-filter","title":"Golden Age Project P-2 Metal Pop Filter","description":"\u003cp\u003eThe Golden Age Project P2 is a circular steel-mesh pop filter designed for reducing plosive pops on vocal recordings. It comes with a goose neck and a stand clamp.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSteel-mesh filter reduces plosive sounds on vocal recordings\u003c\/li\u003e\n\u003cli\u003eGoose neck and stand clamp for easy positioning\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605900767385,"sku":"P-2","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/P-2.jpg?v=1785844497"},{"product_id":"golden-age-project-pre573-premier-1073-style-premier-microphone-preamp","title":"Golden Age Project PRE573-PREMIER 1073 Style Premier Microphone Preamp","description":"\u003cp\u003e?The PRE-573 PREMIER is a one-channel vintage style microphone, line and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The microphone and line input and the line output are transformer balanced, using two different transformers, each one optimized for its purpose.\n\n This is the way audio components were built before integrated circuits became available. The subjective sound quality delivered by vintage equipment is often prefered to the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean sounding digital audio equipment.\n\nThe circuit used in the PRE-573 PREMIER is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVintage Style electronics. No integrated circuits in the signal path.\u003c\/li\u003e\n\u003cli\u003eUK-made Carnhill in- and output transformer. The output is balanced and fully floating and can drive a 600 ohm load up to level of about 28 dBu.\u003c\/li\u003e\n\u003cli\u003eMaximum gain in MIC mode is 80 dB, enough to handle passive ribbon mics with quiet sound sources.\u003c\/li\u003e\n\u003cli\u003eThe total gain range goes from -10 to +80 dB. The 20 to 70 dB range (in MIC mode) is handled by a turn switch and a toggle switch selects an additional 5 or 10 dB gain.\u003c\/li\u003e\n\u003cli\u003eSwitchable impedance on the mic input, 1200 or 300 ohms, will change the tone of many mics.\u003c\/li\u003e\n\u003cli\u003eThe input can be configured to accept line level signals by another switch, the level is then lowered by about 30 dB and the input impedance increased to about 10 kohm.\u003c\/li\u003e\n\u003cli\u003eA selectable two-position 6 dB \/ octave highpass filter with fres of about 45 or 180 Hz.\u003c\/li\u003e\n\u003cli\u003eA flexible front panel instrument input for electric guitar or bass that can be switched between a high impedance active or a mid-Z passive mode. These two DI-options makes it possible to get different tones from instruments. Mains connected sound modules or other signal sources should be connected to the MIC\/LINE input of the 500-rack, unless they have a fully floating, transformer balanced output stage.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605905191065,"sku":"PRE573-PREMIER","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/PRE573-PREMIER.jpg?v=1785844499"},{"product_id":"golden-age-project-pre73-dlx-mk2-1073-style-deluxe-microphone-preamp-with-pad-an","title":"Golden Age Project PRE73-DLX-MK2 1073 Style Deluxe Microphone Preamp With Pad And EQ Filter, Half Rack","description":"\u003cp\u003e\"It was hard to find ways to improve our classic top-of-the-line PRE-73 DLX preamp that has stayed the same since 2011.\nThe MKII version uses almost the same circuit design but has classic style white rectangular switches and sturdy toggle switches, a reduced number of internal circuit boards and connectors, a beefed up power supply, a revised 48V phantom power supply design that can deliver the full 10 mA current according to the standard and a two position AIR EQ.\"\n\nThe PRE-73 DLX II is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The line and microphone input and the line output are transformer balanced, using three different transformers, each one optimized for its purpose.\n\nThis is the way audio components were built before integrated circuits became available. The subjective sound quality delivered by vintage equipment is often preferred over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment.\n\nThe circuit used in the PRE-73 DLX MKII is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVintage style electronics. No integrated circuits in the signal path.\u003c\/li\u003e\n\u003cli\u003eCustom made mic and line input and line output transformers and highpass inductor. The circuit board is prepared for the Carnhill transformers and high pass inductor.\u003c\/li\u003e\n\u003cli\u003eTraditional 1073-style gain switch that is also used to select the mic or the line input jack.\u003c\/li\u003e\n\u003cli\u003eTwo combo XLR\/TRS mic and line input jacks and separate output XLR and TRS jacks for flexible connections.\u003c\/li\u003e\n\u003cli\u003eMaximum gain on the mic input is 80 dB, enough to handle passive ribbon mics with quiet sound sources.\u003c\/li\u003e\n\u003cli\u003eSwitchable impedance on the mic input, 1200 or 300 ohms. Changing the load impedance will change the tone of many mics.\u003c\/li\u003e\n\u003cli\u003eGain range on the line input: -20 to + 10 dB.\u003c\/li\u003e\n\u003cli\u003eAn active instrument input for guitar and bass that passes the signal through the mic input transformer, with selectable input impedance, hi-Z or 100 kohm, by an internal jumper.\u003c\/li\u003e\n\u003cli\u003eSwitchable phantom power and absolute phase.\u003c\/li\u003e\n\u003cli\u003eGain switch plastic knob and metal knobs for the other controls.\u003c\/li\u003e\n\u003cli\u003eThe phantom power can deliver up to 10 mA according to the specification standard. The 6.8 kohm phantom power resistors are matched to within 0.1% to maintain good common-mode rejection in the circuit.\u003c\/li\u003e\n\u003cli\u003eSelectable 1073-style inductor based highpass filter at 50, 80, 160 or 300 Hz with a slope of 18 dB \/ octave.\u003c\/li\u003e\n\u003cli\u003eSelectable two position AIR EQ with a boost of about 3 or 6 dB at around 30 kHz.\u003c\/li\u003e\n\u003cli\u003eAn output pad allows the user to add character by attenuating the output signal after the output transformer by -7, -14, -21 or -28 dB for overdriving the output stage and the output transformer by adding gain and then lower the output signal to a suitable level with the pad.\u003c\/li\u003e\n\u003cli\u003eA simple but effective 4-step LED output level meter.\u003c\/li\u003e\n\u003cli\u003eTantalum capacitors in the signal path.\u003c\/li\u003e\n\u003cli\u003eSwitches on the back panel for 600 ohm output termination and ground lift.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605905223833,"sku":"PRE73-DLX-MK2","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/PRE73-DLX-MK2.jpg?v=1785844502"},{"product_id":"golden-age-project-pre573mk3-mono-500-series-1073-vintage-style-microphone-pream","title":"Golden Age Project PRE573MK3 Mono 500 Series 1073 Vintage Style Microphone Preamplifier","description":"\u003cp\u003eThe PRE-573 MKIII is a one width module for the api 500 format that has the sound and the features that made the PRE-73 so successful and a few additional ones.\n\nThe circuit still uses the preamp and output section from the classic 1073-module, adapted to work in the api rack format. It has a total gain range from -10 to +80 dB. The 20 – 70 dB range is handled by a turn switch and there is a separate toggle switch to select an additional 5 or 10 dB gain. The input can be configured to accept line level signals by another switch, the gain is then lowered by about 30 dB and the input impedance increased to about 10 kohm.\n\nThe input impedance of the mic input mode can be switched between 1200 and 300 ohm. Phantom power and phase reverse is also selectable by front panel switches.\n\nAn added feature, using the same circuit as in the PRE-73 DLX, is the active DI-input with a high input impedance of about 1,5 Mohm. The output signal from the active DI circuit passes through the input transformer for some extra character.\n\nThe DI-input is very flexible since it can be changed to a purely passive one by a front panel switch. The DI input is then exactly the same as in the PRE-73 MKIII where the signal is feed directly into the second gain stage, bypassing the transformer and with an input impedance of about 100 kohm.\n\nThese two DI-options makes it possible to get different tones from electric instruments and the passive DI input mode is more suited for injecting active units like sound modules.\n\nA new feature is the switchable AIR mode that adds a boost above 10 kHz that peaks at 6 dB around 30 kHz.\n\nThe MKIII version has two position high pass filter as an added feature.\n\nA simple but effective signal and overload indicator is offered by a single LED that starts glowing red at about +4 dBu and then increases its intensity up to the maximum output level.\n\nThe PRE-573 MKIII has a dedicated insert connector at the back allowing it to interface with other GAP\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVintage Style electronics. No integrated circuits in the signal path.\u003c\/li\u003e\n\u003cli\u003eThe output is transformer balanced and fully floating and can drive a 600 ohm load up to level of about 28 dBu.\u003c\/li\u003e\n\u003cli\u003eMaximum gain in MIC mode is 80 dB, enough to handle passive ribbon mics with quiet sound sources.\u003c\/li\u003e\n\u003cli\u003eThe total gain range goes from -10 to +80 dB. The 20 to 70 dB range (in MIC mode) is handled by a turn switch and a toggle switch selects an additional 5 or 10 dB gain.\u003c\/li\u003e\n\u003cli\u003eSwitchable impedance on the mic input, 1200 or 300 ohms, will change the tone of many mics.\u003c\/li\u003e\n\u003cli\u003eThe input can be configured to accept line level signals by another switch, the level is then lowered by about 30 dB and the input impedance increased to about 10 kohm.\u003c\/li\u003e\n\u003cli\u003eA selectable two-position 6 dB \/ octave highpass filter with fres of about 45 or 180 Hz.\u003c\/li\u003e\n\u003cli\u003eA flexible front panel instrument input for electric guitar or bass that can be switched between a high impedance active or a mid-Z passive mode.\u003c\/li\u003e\n\u003cli\u003eThese two DI-options makes it possible to get different tones from instruments. Mains connected sound modules or other signal sources should be connected to the MIC\/LINE input of the 500-rack, unless they have a fully floating, transformer balanced output stage.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605905256601,"sku":"PRE573MK3","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/PRE573MK3.jpg?v=1785844502"},{"product_id":"golden-age-project-pre73-dlx-premier-1073-style-premier-microphone-preamp","title":"Golden Age Project PRE73-DLX-PREMIER 1073 Style Premier Microphone Preamp","description":"\u003cp\u003eThe new mkii version of the pre-73 dlx preamp in the project line has been upgraded to premier status by using uk-made carnhill transformers and high pass filter inductor, polystyrene capacitors, all soldered connector- free internal wiring (except the gain switch connections), neutrik mic input xlr\/trs connector, metal knobs and a classic style gain switch knob.\n\n?classic 1073-style mic\/line switch. - all soldered connector-free internal wiring. - uk-made carnhill transformers and high pass filter inductor. - relay controlled functions. - polystyrene and tantalum capacitors. - 0,1% matched phantom resistors. - full spec 10 ma phantom power. - dual internal regulators. - active di-input. - neutrik input xlr\/trs connectors.  - two position air eq. - 4-position output pad. - switchable insert jack. - metal knobs and classic style gain switch knob. - external power adaptor for a lower noise level.\n\nThe PRE-73 DLX PREMIER is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The line and microphone input and the line output are transformer balanced, using three different transformers, each one optimized for its purpose.\n This is the way audio components were built before integrated circuits became available. The subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern products, a situation that is even more obvious now when music is recorded with clean sounding digital audio equipment.\n\nThe circuit used in the PRE-73 DLX PREMIER is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e?Vintage style electronics. No integrated circuits in the signal path.\u003c\/li\u003e\n\u003cli\u003eAll soldered, connector-free internal design for the purest and most reliable signal path, the only connector used is for the gain switch,\u003c\/li\u003e\n\u003cli\u003eUK-made Carnhill mic input and line output transformers and highpass inductor. The line input uses a custom transformer and the circuit board is prepared for the Carnhill tone. The output is balanced and fully floating and can drive a 600 ohm load up to about 28 dBu.\u003c\/li\u003e\n\u003cli\u003eTraditional 23-position 1073-style gain switch that is also used to select the mic or the line input jack.\u003c\/li\u003e\n\u003cli\u003eCombo XLR\/TRS mic and line input jacks and separate output XLR and TRS jacks for flexible connections.\u003c\/li\u003e\n\u003cli\u003eA Neutrik XLR\/TRS combo jack with gold over nickel plated bronze contacts is used for the mic input.\u003c\/li\u003e\n\u003cli\u003eMaximum gain on the mic input is 80 dB, enough to handle passive ribbon mics with quiet sound sources.\u003c\/li\u003e\n\u003cli\u003eSwitchable impedance on the mic input, 1200 or 300 ohms. Changing the load impedance will change the tone of many mics.\u003c\/li\u003e\n\u003cli\u003eGain range on the line input: -20 to + 10 dB.\u003c\/li\u003e\n\u003cli\u003eAn active instrument input for guitar and bass that passes the signal through the mic input transformer, with selectable input impedance, hi-Z or 100 kohm, by an internal jumper.\u003c\/li\u003e\n\u003cli\u003eSwitchable phantom power and absolute phase.\u003c\/li\u003e\n\u003cli\u003eTraditional gain switch plastic knob and metal knobs for the other controls.\u003c\/li\u003e\n\u003cli\u003eThe phantom power can deliver up to 10 mA according to the specification standard. The 6.8 kohm phantom power resistors are matched to within 0.1% to maintain good common-mode rejection in the circuit. ??\u003c\/li\u003e\n\u003cli\u003eSelectable 1073-style inductor based highpass filter at 50, 80, 160 or 300 Hz with a slope of 18 dB \/ octave.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605905289369,"sku":"PRE73-DLX-PREMIER","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/PRE73-DLX-PREMIER.jpg?v=1785844501"},{"product_id":"golden-age-project-pre73jrmkii-vintage-style-microphone-preamplifier","title":"Golden Age Project PRE73JRMKII Vintage-Style Microphone Preamplifier","description":"\u003cp\u003eThe Golden Age Project PRE-73 Jr MKII is a single-channel vintage-style microphone and instrument preamplifier. The signal path uses only discrete components such as resistors, capacitors, and transistors. The input and output stages are transformer balanced, with each transformer optimized for its purpose. This MKII version features a small format perfectly suited to the UNITE MKII rack kit.\n\nBy employing vintage analog circuitry and avoiding integrated circuits, the PRE-73 Jr MKII is able to deliver a prized vintage sound with up to 70 dB of gain. The circuit in the unit is similar to the classic 1073 module with a corresponding sound character that is warm, punchy, sweet, and musical. To reduce unwanted low-end rumbles, engage the 6 dB high-pass filter at either 40 or 170 Hz. To add presence to vocals and instruments, engage the two-position AIR boost to add 3 or 6 dB at 30 kHz. The preamp can supply 48V phantom power for microphones that require it.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSelectable 20 to 70 dB of Gain\u003c\/li\u003e\n\u003cli\u003eDiscrete Signal Path\u003c\/li\u003e\n\u003cli\u003eSelectable HF AIR Boost at 30 kHz\u003c\/li\u003e\n\u003cli\u003eSelectable 40 or 170 Hz HPF\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605909713049,"sku":"PRE73JRMKII","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/PRE73JRMKII.jpg?v=1785844504"},{"product_id":"golden-age-project-pre73jrpremier-vintage-style-microphone-preamplifier","title":"Golden Age Project PRE73JRPREMIER Vintage-Style Microphone Preamplifier","description":"\u003cp\u003eThe Golden Age Project PRE-73 Jr PREMIER is a single-channel, vintage-style microphone and instrument preamplifier. The PREMIER signal path employs a discrete, Class-A signal path with transformer-balanced I\/O, tantalum and polystyrene capacitors, and mostly soldered internal connections—the way audio components were built before integrated circuits became available. The high-quality, UK-made Carnhill input and output transformers are crucial for delivering the rich and warm sound of the PRE-73 Jr PREMIER. This Jr version features a 1 RU, half-rack format perfectly suited to the company's Unite Mk II rack kit.\n\nThe circuit in the unit is similar to the classic 1073 module with a corresponding sound character that is punchy, sweet, and musical. To reduce unwanted low-end rumbles, engage the 6 dB high-pass filter at either 40 or 170 Hz. To add presence to vocals and instruments, engage the two-position AIR boost to add 3 or 6 dB at 30 kHz.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSingle-Channel Mic\/Instrument Preamp\u003c\/li\u003e\n\u003cli\u003eCarnhill Input and Output Transformers\u003c\/li\u003e\n\u003cli\u003e70 dB of Mic Gain, 48V Phantom Power\u003c\/li\u003e\n\u003cli\u003e1\/4\" High-Impedance Instrument Input\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605914136729,"sku":"PRE73JRPREMIER","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/PRE73JRPREMIER.jpg?v=1785844506"},{"product_id":"golden-age-project-pre73premier-single-channel-microphone-preamplifier","title":"Golden Age Project PRE73PREMIER Single-Channel Microphone Preamplifier","description":"\u003cp\u003eThe PRE-73 PREMIER is a one-channel vintage style microphone-, line- and instrument preamplifier. The signal path uses only discrete components like resistors, capacitors and transistors. The in- and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available.\n\nThe circuit used in the PRE-73 PREMIER is similar to the preamp section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone. -Bo Medin, October 2018\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNo integrated circuits in the signal path.\u003c\/li\u003e\n\u003cli\u003e14 dB output pad allowing the user to overdrive the output stage and transformer\u003c\/li\u003e\n\u003cli\u003eA simple but effective 4-step LED output level meter.The output level control makes it possible to make fine gain adjustments and also to overload the main gain stage(s) for more character\u003c\/li\u003e\n\u003cli\u003eMaximum gain in mic mode is 80 dB, enough to handle passive ribbon mics with quiet sound sources.\u003c\/li\u003e\n\u003cli\u003eSwitchable impedance in mic mode, 1200 or 300 Ohm, will change the tone of most mics. The input impedance in line mode is 10 kOhm\u003c\/li\u003e\n\u003cli\u003eCombo XLR\/TRS input jack and separate output XLR and TRS jacks for flexible connections\u003c\/li\u003e\n\u003cli\u003eGain switch range is 20 - 80 dB. Line mode switch, gain is reduced by 30 dB in line mode\u003c\/li\u003e\n\u003cli\u003eSwitchable phantom power and absolute phase\u003c\/li\u003e\n\u003cli\u003eA high-impedance instrument input for any sound module, electric guitar or bass\u003c\/li\u003e\n\u003cli\u003eSelectable 6 dB\/octave high pass filter at around 80 Hz (HP1) or 200 Hz (HP2)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605914202265,"sku":"PRE73PREMIER","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/PRE73PREMIER.jpg?v=1785844507"},{"product_id":"golden-age-project-pre73mk4-pre-73-mkiv-mic-line-instrument-preamplifier","title":"Golden Age Project PRE73MK4 Pre-73 MKIV Mic\/Line\/Instrument Preamplifier","description":"\u003cp\u003eClassic British Console Sound on a Budget.\n\nThe Pre 73 MKIV is Golden Age Audio’s latest and greatest update to their best-selling ‘73-style preamp series. The spirit of classic British consoles lives on in the Pre-73 MKIV, and it sounds warm, punchy, sweet, and musical. Use it to add tone and color to your favorite mics, or keep things clean; it also doubles as a line-level preamp and DI box for electric guitar and bass. Get classic console tone—and get the most out of your mic locker.\n\nClassic console color—if you want it.\n\nGet vintage color and punch by cranking up the Gain knob without fear—a dedicated Output control lets you attenuate the signal so you can drive the preamp without overloading your interface inputs. Engage the -14dB pad for even more control of hot signals, or keep things clean and transparent by backing off on the Gain and turning up the Output. Further sculpt your tone via the selectable low-pass filter to eliminate unwanted low-end rumble at the source, and use the selectable top-end Air EQ to add some shimmer and presence to your top-end. Use the Low-Z switch to toggle between 1200 or 300 O resistance and hear how your mics react!\n\nConnect to anything!\n\nThe Pre-73 MKIV’s switchable +48v mic input lets you use both condenser and dynamic microphones, while its 80 dB of Gain make it ideal for use with sensitive ribbon microphones on delicate sound sources. Line- and instrument-level inputs allow further connection to nearly any audio source, and you get an Insert jack for using external processors like EQs and compressors. You have your choice of TRS or XLR out.\n\nQuality first: \n\nTrue to classic preamps of yesterday, the Pre 73 MKIV was designed with a focused attention to component choices and build quality not found in other preamps near the same price. No surface-mount components or integrated circuits are used, and all inputs and outputs are transformer-balanced, using two different purpose-optimized transformers.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVersatile, affordable British-style mic preamp and DI box\u003c\/li\u003e\n\u003cli\u003eBroad classic-console tonal palette from clean and transparent to warm and punchy\u003c\/li\u003e\n\u003cli\u003eTone-sculpting options include Output attenuation, selectable low-pass filter, Air EQ boost, and switchable mic impedance\u003c\/li\u003e\n\u003cli\u003e80 dB of gain for use with sensitive ribbon mics or other low-gain sources\u003c\/li\u003e\n\u003cli\u003eLine- and Hi-Z options for use with sound modules, keyboards, and electric guitars\u003c\/li\u003e\n\u003cli\u003eOld-school point-to-point wiring; no surface-mount components or integrated circuits\u003c\/li\u003e\n\u003cli\u003eInsert jack for connecting external processors\u003c\/li\u003e\n\u003cli\u003eXLR and TRS out; Phase reverse switch\u003c\/li\u003e\n\u003cli\u003eSturdy build quality in a metal half-rack chassis\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605914169497,"sku":"PRE73MK4","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/PRE73MK4.jpg?v=1785844507"},{"product_id":"golden-age-project-preq73premier-1-channel-mic-line-instrument-preamp-eq","title":"Golden Age Project PREQ73PREMIER 1-channel Mic \/ Line \/ Instrument Preamp \/ EQ","description":"\u003cp\u003eThe PREQ-73 PREMIER is a one-channel vintage style microphone, line and instrument preamplifier with a three-band band equalizer with inductor based midrange offering a smooth and effective sound shaping. The signal path uses only discrete components like resistors, capacitors and transistors. The microphone and line input and the line output are transformer balanced, using three different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available. The circuit used in the PREQ-73 PREMIER is similar to the preamp and the equalizer section in the classical 1073 module with a corresponding sound character that is warm, punchy, sweet and musical. These classic characteristics have been heard on countless recordings through the years and it is a versatile sound that works very well on most sound sources and in most genres. The essence of this sound is now available at a surprisingly low cost, making it available to nearly everyone.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVintage Style electronics. No integrated circuits in the signal path\u003c\/li\u003e\n\u003cli\u003eMaximum gain in mic mode is 80 dB, enough to handle passive ribbon mics with quiet sound sources\u003c\/li\u003e\n\u003cli\u003eClassic 23-position Gain\/Line switch with 5 dB steps and a gain range of 20 to 80 dB for mic and -10 to +20 dB for line\u003c\/li\u003e\n\u003cli\u003eA two band LF (+\/-15 dB) and HF (+\/-20 dB) shelving equalizer with two selectable frequencies for each band\u003c\/li\u003e\n\u003cli\u003eInductor based +\/- 15 dB midrange equalizer section with three selectable frequencies. The lowest one is selectable between 350 and 700 Hz\u003c\/li\u003e\n\u003cli\u003eSwitchable impedance in mic mode, 1200 or 300 Ohm, will change the tone of most mics. The input impedance in line mode is 10 kOhm\u003c\/li\u003e\n\u003cli\u003eSwitchable phantom power and absolute phase\u003c\/li\u003e\n\u003cli\u003eA high-impedance instrument input for any sound module, electric guitar or bass\u003c\/li\u003e\n\u003cli\u003eA simple but effective 4-step LED output level meter\u003c\/li\u003e\n\u003cli\u003eThe output level control makes it possible to make fine gain adjustments and also to overload the main gain stage(s) for more character\u003c\/li\u003e\n\u003cli\u003eSeparate combo XLR\/TRS jack for the MIC and LINE input and separate output XLR and TRS jacks for flexible connections\u003c\/li\u003e\n\u003cli\u003eSelectable 600 Ohm output termination\u003c\/li\u003e\n\u003cli\u003eClassic style knobs and buttons\u003c\/li\u003e\n\u003cli\u003ePrepared for mounting one or two units in the UNITE PREMIER rack kit. It can also be mounted in one of the other UNITE rack kits and combined with the red and black Golden Age Project products\u003c\/li\u003e\n\u003cli\u003eConnector free internal wiring, all connections except the ones to the gain switch are soldered for the purest signal and most longterm stable signal path\u003c\/li\u003e\n\u003cli\u003eUK made Carnhill microphone input and line output transformers\u003c\/li\u003e\n\u003cli\u003eThe pcb is prepared for the Carnhill 9046M line input transformer\u003c\/li\u003e\n\u003cli\u003ePolystyrene capacitors in the amplifier circuits\u003c\/li\u003e\n\u003cli\u003eTantalum capacitors in the signal path\u003c\/li\u003e\n\u003cli\u003eBeefed up power supply\u003c\/li\u003e\n\u003cli\u003eSturdy toggle switches with gold plated contacts\u003c\/li\u003e\n\u003cli\u003eExternal power supply to avoid interaction with the audio circuits and transformers\u003c\/li\u003e\n\u003cli\u003eA solid build quality th\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605918625945,"sku":"PREQ73PREMIER","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/PREQ73PREMIER.jpg?v=1785844510"},{"product_id":"golden-age-project-ps-p-power-supply-for-pre-73-and-comp-54","title":"Golden Age Project Ps(P) Power Supply for PRE 73 and COMP 54","description":"\u003cp\u003eThe Power Supply for PRE 73 and COMP 54 from Golden Age Project is a replacement 115V power supply for the company's PRE 73 preamps and COMP 54 compressor.\u003c\/p\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605918658713,"sku":"PS(P)","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/PS_28P_29.jpg?v=1785844512"},{"product_id":"golden-age-project-psac-jr-power-supply-for-up-to-4-24v-half-rackspace-units","title":"Golden Age Project Psac Jr Power Supply for Up to 4 24v Half-rackspace Units","description":"\u003cp\u003eThe PSAC power supply is a convenient way of supplying power to up to four Golden Age Project half rack units that uses 24V AC. Each output is fed by a separate transformer winding and can supply a maximum of 500 mA.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour 24V AC outputs for Golden Age Project half rack units\u003c\/li\u003e\n\u003cli\u003eSwitchable for 115V and 230V mains voltage\u003c\/li\u003e\n\u003cli\u003eFour output cables are included\u003c\/li\u003e\n\u003cli\u003eSpace saving 1\/4-rack format\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605918691481,"sku":"PSAC-JR","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/PSAC-JR.jpg?v=1785844514"},{"product_id":"golden-age-project-r1activemk3-active-ribbon-mic-with-figure-8-polar-pattern","title":"Golden Age Project R1ACTIVEMK3 Active Ribbon Mic With Figure-8 Polar Pattern","description":"\u003cp\u003eThe R 1 Active MKIII is a very cool mic that combines the best of two worlds; the warmth of a ribbon and the stability of a F.E.T. buffer amplifier. This means that you can use the R1 Active MKIII with long cables and virtually any pre-amp featuring 48V phantom power.\n\nA clean and clear sound, yet warm and punchy is what the R1 Active MKIII will deliver in most cases. We love it on drums, as an ambience mic or in pairs for O.H. pickup, but it sounds great on most instruments.\n\nThe R1 Active MKIII is in fact a very versatile mic even suitable for some sensitive vocal recording! And even more so now when the mk3 version includes switches for low cut and 10dB pad.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe unmatched natural and musical sound of a classical ribbon microphone combined with the consistent sound quality offered by the addition of active electronics\u003c\/li\u003e\n\u003cli\u003eA FET \/ Bipolar discrete low-noise current amplifier, powered by standard 48V phantom power, that iso- lates the ribbon and gain make-up transformer from the outside world.\u003c\/li\u003e\n\u003cli\u003eA stunning realism with the feeling of “being-there”.\u003c\/li\u003e\n\u003cli\u003eThe typical large and mellow ribbon sound quality with a very smooth top end and an extended low end.\u003c\/li\u003e\n\u003cli\u003eA fast and life-like transient reproduction.\u003c\/li\u003e\n\u003cli\u003eAn ultra-high SPL capability, 160 dB SPL (1% THD @ 1000Hz) and a very high sensitivity for a ribbon microphone, similar to many condenser microphones.\u003c\/li\u003e\n\u003cli\u003eA Figure-8 directional pattern for wide sweet spots both in the front and in the back of the microphone. Zero spots towards the sides.\u003c\/li\u003e\n\u003cli\u003eA 50mm long ribbon made of 2 microns thick aluminium foil.\u003c\/li\u003e\n\u003cli\u003eAn internal shock mount for the ribbon and magnet assembly.\u003c\/li\u003e\n\u003cli\u003eA removable microphone cable and a nice aluminium ight case.\u003c\/li\u003e\n\u003cli\u003eManufactured of the nest materials for a great performance and long-term reliability.\u003c\/li\u003e\n\u003cli\u003eThe R1 Active can be used with any standard mixer or preamp with a balanced input that can supply 48V phantom power.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605923115161,"sku":"R1ACTIVEMK3","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/R1ACTIVEMK3.jpg?v=1785844515"},{"product_id":"golden-age-project-r1mk2-passive-ribbon-microphone-with-figure-8-polar-pattern","title":"Golden Age Project R1MK2 Passive Ribbon Microphone with Figure-8 Polar Pattern","description":"\u003cp\u003eThe R 1 MKII is a high quality vintage style ribbon microphone. It offers the unique and natural sound that has been available in classical microphones like the RCA 44 and 77 that are still used to make high quality recordings today, after almost 70 years. \n\nThe R1 Mk2 is very well suited for the recording of most sound sources like vocals, acoustic instruments, strings, horns, orchestras and choral groups and many live sound applications\n\nThe Figure-8 pattern of the R1 MKII gives you the ability to separate sound sources by placing the unwanted ones in the side zero pick-up directions. Placing the unwanted ones towards the sides of the R1 MKII will remove most of the direct sound from the sound source. The R1 MKII will still pick up that source from the reverberant eldin the recording room though.\n\nDue to the small width of the ribbon, the horizontal pick-up pattern is very wide. It is much wider compared to a large capsule condenser microphone.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe unmatched natural and musical sound of a classical ribbon microphone.\u003c\/li\u003e\n\u003cli\u003eA stunning realism with the feeling of “being- there”.\u003c\/li\u003e\n\u003cli\u003eThe typical large and mellow ribbon sound quality with a very smooth top end and an extended low end.\u003c\/li\u003e\n\u003cli\u003eA fast and life-like transient reproduction.\u003c\/li\u003e\n\u003cli\u003eAn ultra-high SPL capability, 160 dB SPL (1% THD @ 1000 Hz) and a very good sensitivity for a ribbon microphone.\u003c\/li\u003e\n\u003cli\u003eA Figure-8 directional pattern for wide sweet spots both in the front and in the back of the microphone. Zero spots towards the sides.\u003c\/li\u003e\n\u003cli\u003eA 50 mm long ribbon made of 2 microns thick\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605923147929,"sku":"R1MK2","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/R1MK2.jpg?v=1785844517"},{"product_id":"golden-age-project-r1sm-spider-type-shockmount-for-r-1-ribbon-mic","title":"Golden Age Project R1SM Spider-type Shockmount for R-1 Ribbon Mic","description":"\u003cp\u003eThe Golden Age Project R1SM is a shock mount for the company's R1 series of ribbon mics, which includes the R1 Mk2, R1 Active Mk3, and R1 Tube Active. The R1SM isolates your mic from room vibrations, providing quieter operation.\u003c\/p\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605927571609,"sku":"R1SM","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/R1SM.jpg?v=1785844520"},{"product_id":"golden-age-project-r1st-stereo-ribbon-microphone-with-blumlein-configuration","title":"Golden Age Project R1ST Stereo Ribbon Microphone with Blumlein Configuration","description":"\u003cp\u003eThe R1 ST is two high quality vintage style ribbon microphone sections with transformer balanced outputs in a classic Blumlein configuration for stereo and mono recordings.\n\nIt offers the unique and natural sound that has been available in classical microphones like the RCA 44 and 77 that are still used to make high quality recordings today after over 80 years. \n\nThe R1 ST is very well suited for the recording of most sound sources like vocals, acoustic instruments, strings, horns, orchestras and choral groups and many live sound applications.In spite of its low cost, the R1 ST meets the most stringent demands.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTwo ribbon elements, one placed above the other; each aimed 45 degrees from center in a classic Blumlein configuration.\u003c\/li\u003e\n\u003cli\u003eCreates a wonderful stereophonic representation of the sound source and the acoustic environment.\u003c\/li\u003e\n\u003cli\u003eEither side of the R1 ST can also be used as a mono microphone.\u003c\/li\u003e\n\u003cli\u003eThe natural, smooth and musical sound of vintage style ribbon microphone technology.\u003c\/li\u003e\n\u003cli\u003eCaptures every transient without harshness or hardness.\u003c\/li\u003e\n\u003cli\u003eThe warm and punchy sound of a transformer balanced output.\u003c\/li\u003e\n\u003cli\u003eUltra-high SPL capability, 160 dB SPL (1% THD @ 1000 Hz).\u003c\/li\u003e\n\u003cli\u003eEach section has a figure-8 directional pattern with wide sweet spots in the front and in the back.\u003c\/li\u003e\n\u003cli\u003e50 mm long, 2 microns aluminium ribbons.\u003c\/li\u003e\n\u003cli\u003eDetachable microphone cable and a cable splitting box for left and right output.\u003c\/li\u003e\n\u003cli\u003eShock mount and two transport cases, one hard and one soft.\u003c\/li\u003e\n\u003cli\u003eManufactured of the finest materials for a great performance and long-term reliability.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605928095897,"sku":"R1ST","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/R1ST.jpg?v=1785844521"},{"product_id":"golden-age-project-r2mk2-ribbon-microphone-with-figure-8-polar-pattern","title":"Golden Age Project R2MK2 Ribbon Microphone with Figure-8 Polar Pattern","description":"\u003cp\u003eThe R 2 MkII is quite different from the R 1 series of mics. It features a ribbon transducer with a shorter and more narrow ribbon. It is darker sounding than the R 1 series since the higher frequencies roll off earlier.\n\nThe R 2 MkII will do wonders with both clean and distorted electrical guitar, with brass instruments and more. It is delivered with a metal shock mount.\u003c\/p\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605928128665,"sku":"R2MK2","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/R2MK2.jpg?v=1785844521"},{"product_id":"golden-age-project-unite2-rack-kit-for-golden-age-project-1-2-and-1-4-rack-1ru-u","title":"Golden Age Project UNITE2 Rack Kit For Golden Age Project 1\/2 And 1\/4-rack 1RU Units","description":"\u003cp\u003eMounting instructions for the Red 1\/2-width Golden Age Project products:\n\nThe left side of the left unit and the right side of the right unit are mounted with two screws to the sides of the UNITE MKII.\n\nThen attach the supplied metal parts on the other sides of the unit´s (the sides facing the middle of the UNITE MKII) with two screws. These two parts are then fixed to the bottom of the UNITE MKII with two screws.\n\nAs a final step, mount the long, thin mental part in the middle of the unit to fill up the gap in the middle between the two units.\n\nMounting instructions for the Red and Black 1\/4-width Golden Age Project products:\n\nThere are two threaded holes in the bottom of the box and matching holes in the UNITE MKII. Use two screws to mount each unit in the UNITE MKII.\n\nUp to four units can be mounted in the UNITE MKII. It´s also possible to mount two 1\/4-width units and one 1\/2-width product.\n\n\nMounting instructions for the ½-width Golden Age Premier products:\n\nThere are two threaded holes in the bottom of the box and matching holes in the UNITE MKII. Use two screws to mount each unit in the UNITE MKII. \nIt´s also possible to mount two 1\/4-width units and one 1\/2-width product.\u003c\/p\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605932552345,"sku":"UNITE2","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/UNITE2.jpg?v=1785844524"},{"product_id":"golden-age-project-unitebig-rack-kit-for-golden-age-project-red-and-black-1-2-ra","title":"Golden Age Project Unitebig Rack Kit For Golden Age Project Red And Black 1\/2 Rack Units","description":"\u003cp\u003eYou can mix and match our black and red half rack units, building two channel versions of the COMP-3A and COMP-2A or perhaps one of each?\n\nOr combine one black unit with two red units, perhaps one PRE-73 MKIII, a EQ-81 and a COMP-2A? That would give you a terrific vintage style channel strip!\u003c\/p\u003e","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605932748953,"sku":"UNITEBIG","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/UNITEBIG.jpg?v=1785844525"},{"product_id":"golden-age-project-unitepremier-rack-kit-for-pre-73-premier-and-preq-73-premier","title":"Golden Age Project Unitepremier Rack Kit for PRE-73 Premier and PREQ-73 Premier","description":"","brand":"Golden Age Project","offers":[{"title":"Default Title","offer_id":48605932781721,"sku":"UNITEPREMIER","price":0.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0029\/6999\/3316\/files\/UNITEPREMIER.jpg?v=1785844526"}],"url":"https:\/\/rectangletriangle.ca\/collections\/golden-age-project.oembed","provider":"Rectangle Triangle","version":"1.0","type":"link"}